A DYNAMIC NEW SOUND...AN APPROACH SO UNIQUE...it's today's MOST WANTED rock'n roll group, THE LOST!!!
THEY'RE GREAT!...alive with individual creativeness that blends into a totally new concept musically...their material is almost exclsively original...and a fast-moving, exciting performance visually...more action and motion that you've ever seen before...FANTASTIC!
The personality of each member of the group shines brightly, and the group as a whole gives brilliant performances everywhere...in concert, at school and college functions...anywhere there are people to be entertained and excited. Four solo voices, a host of instrumental possibilites, musical creativity, all adding up to the GROUP TO WATCH,..."THE LOST"!
- H.T. Productions Promotional Flyer
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| The Lost outside Guys & Dolls, New York City, circa '1966 |
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December 12, 1964 Recorded By Harry Rosenblum
Ted Myers: Lead and harmony vocals; guitar Hugh Magbie: Lead and harmony vocals; guitar Willie Alexander: Lead and harmony vocals; percussion; piano Walter Powers III: Lead and harmony vocals; bass; harmonica Tony Pfeiffer: Drums
1) Searchin' (Take 1) 2) Searchin' (Take 2) 3) Mobile Line 4) Mean Motorcycle (Take 1) 5) Mean Motorcycle (Take 2) 6) Mean Motorcycle (Take 3) 7) Downtown Blues 8) Seventh Son 9) Night Time Is The Right Time 10) I'll Let You Go (Take 1) 11) I'll Let You Go (Take 2) 12) Always I Know 13) I Know You Woman 14) I Understand, Babe (Take 1) 15) I Understand, Babe (Take 2) 16) No Reason Why 17) Lookin' For A Reason Note: Walt's Waltz was listed on reel box but was not included on reel...
Ted Myers Most of these--with a couple of exceptions--are either blues or jug band influenced--or both. Even a Leiber & Stoller song like 'Searchin'' is given a jug band treatment. This is because most of us were coming out of the folk scene and were quite new to rock 'n' roll. Of the originals, only 'Mean Motorcycle' and 'No Reason Why' are on our Capitol releases. 'I'll Let You Go' and 'Always I Know' were recorded at the Capitol sessions, but never released. The latter two were much more influenced by The British Invasion than by the folk scene.
Within a few days either before or after this recording session we left Goddard College--along with the entire student body--on a two-month work-study program, which Goddard wisely instituted because of the severity of the Vermont winters. The following March, Tony Pfeiffer and Hugh Magbie returned to Goddard to finish their studies. Walter, Willie and I stayed in Boston, dropped out of college and searched for a new drummer and lead guitarist. Ultimately we found two much better players in Lee Mason (drums and a friend of mine from high school) and Kyle Garrahan (guitar). And that was the band that became The Lost of local Boston fame.
Walter Powers I don't remember doing a formal recording session at all. I do remember going to Bard to play a gig (The Lost were all Goddard students at that time, with Tony Pfeiffer on drums and Hugh Magbie on 2nd guitar; he and Ted traded leads.) I recall that one Bard guy cracked, when he heard we were from Goddard, "What are you, the basketball team?" because 4/5ths of us were over six-feet tall, and maybe also because Hugh was an African-American. As I recall, our gig there went over well, but I don't remember sitting down for a recording session, either there or back at Goddard. I don't remember 'Walt's Waltz' either.
Tony Pfeiffer was a good guy, but he had a mind of his own, and could sometimes be contrarious. I think, when we went out on a work-study program between semesters to try and make it as a band in Boston, he was the only one of us who got a day job, waitering I think, and he would share some of the money he made so we at least had spaghetti with catsup to eat. Also, he was a smooth dude with the ladies. At the end of the two or three month work-study, Ted, Willie and I kept on with the band and Tony and Hugh went back to school.
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Session #8812 August 31, 1965 New York City 26155 Certain Chick (Unissued) 26156 Here She Comes (Unissued)
Session #8814 August 31, 1965 New York City 26157 Everybody Knows (Unissued) 26158 Always I Know (Unissued)
Session #8816 September 17, 1965 New York City 26159 Maybe More Than You (Capitol 5519) 26160 I Want To Know (Unissued) 26161 Backdoor Blues (Capitol 5519)
Session #8829 December 13, 1965 New York City 26206 No Reason Why (Unissued) 26207 Everybody Knows (Unissued) 26208 When I Call (Unissued)
Session #? July 6, 1966 Los Angeles(?) 56200 Violet Gown (Capitol 5708) 56201 Mean Motorcycle (Capitol 5708)
Session #? July 27, 1966 Los Angeles(?) 56325 Violet Gown (Capitol 5725) 56326 No Reason Why (Capitol 5725)
Session #8924 December 14, 1966 New York City 26542 Mystic Magic Oceans (Unissued) 26543 Money In The Pocket (Unissued) 26544 Kaleidoscope (Unissued)
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45-RPM Releases: The Lost Back Door Blues / Maybe More Than You (Capitol 5519 with Picture Sleeve) Mean Motorcycle / Violet Gown (Capitol 5708) No Reason Why / Violet Gown (Capitol 5725) Who Do You Love / It Is I (Stanton Park SRE 004 with Picture Sleeve)
Bagatelle (Willie Alexander and Lee Mason) What Can I Do / Such A Fuss About Sunday (ABC, 1968)
Chamaeleon Church (Kyle Garrahan and Ted Myers) Camillia Is Changing / Your Golden Love (MGM 13929)
Listening (Walter Powers) Cuando / I Can Teach You (Vanguard 35077) Hello You / Life Stories (Vanguard 35094)
Albums: Bagatelle 11 P.M. Saturday (ABCS-646)
Chamaeleon Curch Chamaeleon Church (MGM 4574)
Kyle Garrahan (as Kyle) I Shall Be Released / Shame (Janus 1125) Note: Walter Powers contributed bass. A third, unreleased song titled Bluegrass was also completed during the sessions.
Listening (Walter Powers) Listening (Vanguard 6504)
Collections: Early Recordings: Demos, Acoustic And Live, 1965-1966 (Arf! Arf! Records, AA-059) No Reason Why (Demo) Everybody Knows (Demo) Changes (Demo) Violet Gown (Demo) Power Love And Money (Demo) Who Do You Love (Demo) I'll Let You Go (Demo) Searchin' (Demo) Kaleidoscope (Demo) It Is I (Demo) No Money In My Pocket (Demo) Violet Gown (Instrumental Demo) No Reason Why (Instrumental Demo) A Certain Chick (Demo) Walk On By (Instrumental Demo) Youth (Demo) Rocket Ship ( Instrumental Demo) Space Kids (Instrumental Demo) Look Sharp Theme (Instrumental) Kaleidoscope (Acoustic) It Is I (Acoustic) Dry Your Eyes (Acoustic) Dead Flowers (Acoustic) No Money In My Pocket (Live) Mystic (Seven Starry Skies) (Live) Ole (As The Mere Bagateele) (Live)
The Lost Tapes (1965-1966) (Arf! Arf! Records, AA-081) Maybe More Than You Back Door Blues I Wanna Know Certain Chick Here She Comes Always I Know No Reason Why (Vocal) Everybody Knows When I Call Violet Gown (Version 1) Mean Motorcycle No Money In The Pocket Kaleidoscope Violet Gown (Version 2) No Reason Why (Instrumental) Changes Do I Love You Rocket Ship
Compilations: 60s Choice Collection Of Scarce Garage Records #1 And #2 (Eva 325) Back Door Blues
Arf! Arf! 32 Blitzkrieg Track Sampler (Arf! Arf! Records, AA-089/090) Changes
Arf! Arf! [El Cheapo] 20CD Sampler (Arf! Arf! Records, AA-068) Changes
Best Of The Boston Sound (Capitol 5725) Violet Gown
Bosstown Sound 1968 - The Music & The Times (Big Beat CDWIK2 167) Maybe More Than You Everybody Knows Seven Starry Skies (Mystic) Violet Gown Everybody Knows (Bagatelle) Back On The Farm (Bagatelle)
The Boston Sound: 1968 Revisited (Iris Music Group, IMG-251A) Seven Starry Skies (Mystic) Back On The Farm (Bagatelle)
Family Circle - Family Tree (Big Beat CDWIKD 146) Back Door Blues Here She Comes I Want To Know Kaleidoscope Maybe More Than You Seven Starry Skies (Mystic) Violet Gown
Garageaholic! Psychedelic! Outsider Music (Arf! Arf! Records, AA-101) When I Call
Here's A Song You Might Have Missed Volume 10 (Iris Music Group, IMG-460) Seven Starry Skies (Mystic)
Parade Of Broken Hearts Volume 2 (Iris Music Group, IMG-331) Everybody Knows (Bagatelle) I Wanna Know
Sixties Choice #2 (GMG 75027) Back Door Blues
Tom's Touch (ABC) Back On The Farm (Bagatelle)
Miscellaneous: Look Sharp Theme (Triple A Recording Studios Acetate) Searchin' (Audiodisc Acetate) Voilet Gown (Capitol Manufacturing Associate Reference Pressing, Capitol Single Release 1602) No Reason Why (Capitol Manufacturing Associate Reference Pressing, Capitol Single Release 1602)
Side Projects: Space Kids Part 1 (Flat Earth Society: Waleeco, Plus The Lost: Space Kids, Arf! Arf! Records, AA-042) Space Kids Part 2 (Flat Earth Society: Waleeco, Plus The Lost: Space Kids, Arf! Arf! Records, AA-042) Incidental Music To Space Kids (Flat Earth Society: Waleeco, Plus The Lost: Space Kids, Arf Arf Records, AA-042) More Space Kids Incidental Music (The Arf! Arf! [El Cheapo] 20CD Sampler, Arf! Arf! Records, AA-089/090)
Note: Willie Alexander recalls a recording session produced by The Remains' Barry Tashian, but neither Tashian, Myers, nor Powers have any recollections.
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Special thanks to Ted Myers, Walter Powers, Erik Lindgren and Mark Heimback-Neilsen. All photos courtesy the 60sgaragebands.com Archives. Gallery photos courtesy Erik Lindgren.
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